Electro legend and pioneer of the Italo-Disco sound, Alexander Robotnick, joins us for this week’s Waveform Mix ahead of his collaborative release with Ludus Pinsky, When Machines Get Funky. The Waveform Transmitter’s Ste Knight presents.
The 34th edition of our exclusive mix series comes from the genre-bending Stefanie Chew, who explores multiple styles in her contribution. The Waveform Transmitter‘s Ste Knight talks to Stefanie about switching from Logic to Ableton, compelling remix opportunities, and Piknic Electronik.
One for the househeads here as Junior Jack delivers our latest Waveform Mix, following the recent release of the remixed E Samba on the excellent Kittball Records. The Waveform Transmitter’s Ste Knight presents.
Two of London’s most influencial artists of recent times, Kode9 and Burial, join forces to close the FABRICLIVE compilation mix series with the 100th edition. The Waveform Transmitter‘s Ste Knight takes a listen to an incredible mix.
To celebrate Ninja Tune’s recognition as label of the year, The Waveform Transmitter‘s Ste Knight picks ten of his favourite Ninja tracks, since the label was founded by Coldcut in 1990.
Hamburg DJ and producer, Helena Hauff, is set to release her latest album, ‘Qualm’ in August, via the Ninja Tune imprint. The Waveform Transmitter’s Ste Knight has the details on the artist’s 12-track long-player.
Belgium’s fastest rising star, Amelie Lens, is to launch her own imprint, LENSKE, in May. The Waveform Transmitter’s Ste Knight has the latest on the techno producer’s upcoming label.
Paris super-brand, Concrete, are preparing an electro blow-out at the end of January, with an immense line-up. The Waveform Transmitter’s Léa Ben Saïd gives us her top selections to catch over the weekend.
The first of this week’s Waveform Mixes comes from Congellous, a former breaks DJ now turned to house and techno. The Waveform Transmitter’s Ste Knight welcomes his return, talking b-boy culture, Soba Records, and Liverpool’s Quad nightclub.
The Waveform Transmitter’s Andy Weights directs his focus towards Manchester’s Decloak production studio and school to shed some light on the inner machinations of the sonic machine.